Sometimes I like to look at my room from the outside, with its door closed. Things it has kept hidden inside, stay hidden. After years and years of perseverance of being, it has accumulated enough objects, memories, and sounds and it doesn’t shy away from flaunting all it has. It still has those incomplete conversations, buried in sobbings, controlled and some uncontrolled laughter, and forgotten pains. It still has the chai that slipped from your fingers when you were playing around. It still remembers the notes of the songs you always skipped. It has all the words unsaid during fights and all the in-head decisions that were unmade. It somehow has all the letters and greetings we burnt down the hallway. During the darkest of the nights, the fluorescence of your beamings becomes visible. Occasionally, the room leaks the water collected from the drippings of your raincoat, seemingly forming a stream down the memory lane. On starry nights it projects the remaining half of the French cinema that we had postponed indefinitely. In autumn it smells of the flowers you would bring from your hiking trails.
I like to look at my room from the outside and I wonder, does it still have everything inside? The outside world looks much more oblivious and forgiving, and I look at the closed door with mixed hopes. It keeps giving a probable fake reassurance, ‘Yes, everything inside is going to be inside forever, even if it’s empty.’ But I fear, maybe, just maybe I touch the knob to open it and my Schrödinger’s cat escapes on its own quest.
Notes: Slightly influenced by an old song, ‘mera kuch saaman’. Starting with the title, I had a thought: can rooms be called empty if their mere presence invokes emotions/thoughts? Fiction.